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当前目录：首页 /- /得到专栏课 /04 /a249.严伯钧·西方艺术史 /2017.12

ybj1201[防断更微0].mp3
ybj1201拉斐尔前派：返璞归真的艺术表达2[防断更微0].jpg
ybj1201拉斐尔前派：返璞归真的艺术表达[防断更微0].jpg
ybj1202[防断更微0].mp3
ybj1202哈德逊河派：美国艺术第一次亮相2[防断更微0].jpg
ybj1202哈德逊河派：美国艺术第一次亮相[防断更微0].jpg
ybj1205(1)[防断更微0].mp3
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ybj1205弗兰克：法国反浪漫主义先锋[防断更微0].jpg
ybj1206(1)[防断更微0].mp3
ybj1206[防断更微0].mp3
ybj1206“法国莫扎特”圣桑[防断更微0].jpg
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ybj1207完美结合了创新与传统的圣桑[防断更微0].jpg
ybj1208 19世纪充满法国特色的音乐家们[防断更微0].jpg
ybj1208(1)[防断更微0].mp3
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ybj1209比才和他的《卡门》[防断更微0].jpg
ybj1211用户分享梵高绘画中的动态2[防断更微0].jpg
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ybj1212[防断更微0].MP3
ybj1212重新理解“真实”的印象主义2[防断更微0].jpg
ybj1212重新理解“真实”的印象主义[防断更微0].jpg
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ybj1213被称为“印象主义之父”的马奈2[防断更微0].jpg
ybj1213被称为“印象主义之父”的马奈[防断更微0].jpg
ybj1214(1)[防断更微0].mp3
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ybj1214莫奈：真正的“印象主义之父”2[防断更微0].jpg
ybj1214莫奈：真正的“印象主义之父”[防断更微0].jpg
ybj1215[防断更微0].mp3
ybj1215“光的追随者”雷诺阿2[防断更微0].jpg
ybj1215“光的追随者”雷诺阿[防断更微0].jpg
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ybj1216德加：融合学院风格与印象主义2[防断更微0].jpg
ybj1216德加：融合学院风格与印象主义[防断更微0].jpg
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ybj1219德彪西：印象主义音乐的奠基人[防断更微0].jpg
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ybj1220(4)[防断更微0].mp3
ybj1220[防断更微0].mp3
ybj1220彩蛋为什么大师级的艺术家总是性格古怪？[防断更微0].jpg
ybj1220彩蛋[防断更微0].mp3
ybj1220德彪西：不破不立，色彩丰富[防断更微0].jpg
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ybj1221配器大师拉威尔[防断更微0].jpg
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ybj1222(3)[防断更微0].mp3
ybj1222[防断更微0].mp3
ybj1222拉威尔与他的《G大调钢琴协奏曲》[防断更微0].jpg
ybj1223(1)[防断更微0].mp3
ybj1223(2)[防断更微0].mp3
ybj1223(3)[防断更微0].mp3
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ybj1223音乐“裸体主义者”萨蒂[防断更微0].jpg
ybj1225(1)[防断更微0].mp3
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ybj1225（5）[防断更微0].mp3
ybj1225彩蛋贝多芬超凡脱俗的室内乐作品（内附贝多芬音乐集锦）[防断更微0].jpg
ybj1226 (2)[防断更微0].mp3
ybj1226[防断更微0].mp3
ybj1226“捷克音乐之父”斯美塔那[防断更微0].jpg
ybj1227(1)[防断更微0].mp3
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ybj1227(3)[防断更微0].mp3
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ybj1227德沃夏克：捷克历史上最伟大的作曲家[防断更微0].jpg
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ybj1228(4)[防断更微0].mp3
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ybj1228格里格：挪威最杰出的音乐家[防断更微0].jpg
ybj1229(1)[防断更微0].mp3
ybj1229[防断更微0].mp3
ybj1229西贝柳斯：芬兰国宝级音乐家[防断更微0].jpg
ybj1231(1)[防断更微0].mp3
ybj1231(2)[防断更微0].mp3
ybj1231(3)[防断更微0].mp3
ybj1231d小调小提琴协奏曲：西贝柳斯的顶级小提琴协奏曲[防断更微0].jpg
ybj1231[防断更微0].mp3
zlb1211复习+预告｜科学研究要避免掺杂情感因素[防断更微0].jpg
【必看】获取网盘可查询目录、一键查询课程位置.png
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【微1015948695】防断更，查看每日更新内容.png
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